A Little Greek Pastel Painting Trip by Michael Newberry

newberry-next-door-1988-pastel-on-paper-18x24

Years ago I took a pastel painting trip of a lifetime, for three months I traveled from Athens, Greece to many islands, eventually to Istanbul, and slowly back again to Athens. My first island was Tinos, from the harbor I rented a scooter, booked a tiny house outside of town for 15 dollars a night. The porch had a sloping view over gray-green olive groves down to the dark and brilliant ultramarine blue Mediterranean, about 300 ft to the left was a small, room-sized luminous white-plastered Byzantine church.

Embargo Series by Michael Newberry

Newberry, Retriever, 2020, oil on panel, 9x12"

The Animal Lifted Embargo Series has significantly changed my opinion about including animals in my paintings. They really help set off the scale and atmosphere of the landscapes. I am surprised that just two tiny marks, in the case of the sandpipers, can reset the landscapes dramatically.

Pushing the Composition Envelope, Melissa Hefferlin Still Lifes

It is interesting to contrast Hefferlin with Picasso (he is one of my favorite artists). He created some of the best compositions of all time, but he frequently distorted the subjects – like the woman's face, body, and other objects – to make very clever compositional arrangements. But in distorting reality so much he threw the baby out with the bathwater. He was visually saying that reality is a chaos of distorted perspectives that are not true to real life. What is exceptional about Melissa is her ability to tweak these pattern motifs while keeping a realistic perspective, a feat of integration that Picasso doesn't match up to.