Drawing the Sydney Opera House
My Collection of Students’ Works
Student Works During Quarantine
Very proud of my students, these works were done independently of me. They took what they had been learning and applied it on their own, self-motivated, and, in my mind, very successfully. Sonia painted the two girls from masterworks from the Prado, but they are free transcriptions. We've been working with color theory and forming the structure of the face. Sonia's recent lessons with me was to freely copy some classic sculpture heads to learn form. The roundness in her children's faces is superb. And they look like children, one of the most difficult things to do in art.
The Echo Series, Pastel Figurative Drawings by Michael Newberry
My take on the ancient tradition of overlaying figurative drawings, from Chauvet Caves to Duchamp.
A Little Greek Pastel Painting Trip by Michael Newberry
Years ago I took a pastel painting trip of a lifetime, for three months I traveled from Athens, Greece to many islands, eventually to Istanbul, and slowly back again to Athens. My first island was Tinos, from the harbor I rented a scooter, booked a tiny house outside of town for 15 dollars a night. The porch had a sloping view over gray-green olive groves down to the dark and brilliant ultramarine blue Mediterranean, about 300 ft to the left was a small, room-sized luminous white-plastered Byzantine church.
Ep. 9 From an Emotion to an Artwork, Newberry Aesthetic Evolution 11/20/2019
What does the feeling of lovemaking look like? Where can/do visual ideas come from? Michael Newberry discusses the genesis of his recent pastel Reclining Nudes.
Workshop Series: Pastel, Let the Color of the Paper Work for You
Newberry Art Tutorials Colored and dark papers can save you precious time and give you amazing effects. When I paint/draw/teach plein air I try to nail the impression in under an hour, it is a race against the planet moving. As the sun slowly moves across the landscape you will see new cast shadows, new …
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Five Pastel Still Lifes
There is difficult oxymoron in painting and pastel which is that color kills light and light kills color, but I think with these I achieved the perfect balance bringing out the best of both.

