Sowing Stars and a Little Bit of Space Dust
Horses Heads, Venus of Willendorf, and Lion Man, 40-35,000 BC I hope everyone is doing okay in these early stages of quarantining. Heartbreaking. Around the start of it I came up with the concept to write this book on aesthetics. I am dividing my time painting, writing the book, and, it seems, washing dishes. I …
Stephen Hicks: In Melbourne, I met Peter Schipperheyn, creator of the magnificent Thus Spake Zarathustra. The monumental piece is at the McClelland Sculpture Park near Mornington. The tension running through Zarathustra’s bowed body as he reaches and affirms his decision is powerful.
"I began art lessons with Michael as a true beginning student. Michael was patient and kind, but honest, which allowed me to progress while not feeling intimidated. I was excited to learn about technique with different media, color theory and light. Michael's passion and knowledge instills positive energy in his students."
The Animal Lifted Embargo Series has significantly changed my opinion about including animals in my paintings. They really help set off the scale and atmosphere of the landscapes. I am surprised that just two tiny marks, in the case of the sandpipers, can reset the landscapes dramatically.
With this Animal Lifted Embargo Series I am refining my hierarchy of subject values. Humanity is at the top, consequently I paint/draw individuals filling the universe of the canvas or paper space. Animals are a far distant second place, recently insignificant, but I am now enjoying placing them in landscapes as minor players. It makes be feel peaceful and the experience of painting them in feels a bit magical. If I made them the same size as humans (allowing perspective truth etc) I would be extremely uncomfortable with that.
There is an exciting tension in placing an animal just right, it seems to set off the landscape and definitely twerks the composition, like a zigzag incorporating the direction of the light, the bird's flight path, the feeling of "lift," setting off the formal composition of the water and land masses. Delightfully fun.
Beyond Obstacles, Malevolence, and Ignorance Willendorf Venus c. 28,000 BCE – 25,000 BCE Discovere 1908 near Willendorf, by Josef Szombathy, Naturhistorisches Museum, Vienna, Austria I have been thinking about writing an art book filled with stories, anecdotes, speculation on prehistorical art, real life experiences, and the knowledge of what is it is like to strive …
In the past I have rejected doing animals because humanity is at the forefront of my mind. I love my dog, Frida, and she loves me, but she doesn't even glance at my art. :(
Michael Newberry 