Detecting Value Judgements in Painting

Goya, The Shootings of May 3rd 1808, 1814

A few years ago I read the book What Art Is: The Esthetic Theory of Ayn Rand by Torres and Kamhi. I was disquieted to read their take on Rand's definition of art, specifically about the meaning of metaphysical value-judgements. Perhaps the thing that was the most surprising to me was that their perspective on this issue is so much not the way that I experience art; either as a creator or as in appreciation, or how I understand Rand's meaning. In a sense, their book has been the catalyst for this lecture. I hope to answer them by showing how you can detect metaphysical value-judgments in painting. But, more importantly, I hope to show you how to find and, perhaps, share the artist's incredible passion that lies just beneath the surface of the paint.

Pandora’s Box Part 2

Duchamp, The Fountain (facsimile), the "original" from 1917 was rejected

... pathetically, only Hope remained inside. In the other version the box held all of humanity's glories. When she opened the box progress, knowledge, and exaltation vanished into oblivion, forever lost to humanity.