Ayn Rand’s Blind Spot
Creation, Graphite Study, Stage Two, Refining
2003 Michael Newberry on Art and Inspiration
The CIA Collection
Icarus: How Visual Artists Such as Myself and Bryan Larsen Steal, Borrow, and Originate
Icarus: How Visual Artists Such as Myself and Bryan Larsen Steal, Borrow, and Originate
Drawing the Line between Pornography and Art
Energizing the Eye: Abiodun Olaku
“In the broad valley, far below him, in the first sunlight of early morning, he saw a town. Only it was not a town. Towns did not look like that. He had to suspend the possible for a while longer, to seek no questions or explanations, only to look.” The above was Ayn Rand's description …
Detecting Value Judgements in Painting
A few years ago I read the book What Art Is: The Esthetic Theory of Ayn Rand by Torres and Kamhi. I was disquieted to read their take on Rand's definition of art, specifically about the meaning of metaphysical value-judgements. Perhaps the thing that was the most surprising to me was that their perspective on this issue is so much not the way that I experience art; either as a creator or as in appreciation, or how I understand Rand's meaning. In a sense, their book has been the catalyst for this lecture. I hope to answer them by showing how you can detect metaphysical value-judgments in painting. But, more importantly, I hope to show you how to find and, perhaps, share the artist's incredible passion that lies just beneath the surface of the paint.
Michael Newberry 