Figure the Future By Michael Newberry Presented by The Atlas Society, 2008 The premise of this talk is that the heroic and beautiful nude is contemporaneously linked with human evolutionary advancements. The great nudes witnessed the development of individuals rights in politics, with reason replacing superstition in the humanities, and with authenticity.
https://youtu.be/c6M2fIr32mY Thanks to Dana Ross for creating this video. August 2012. This is about the inspiration, the creative process, and color theory for Adam and Eve.
https://youtu.be/VEhnh_YGr4A 3 min 6 sec Thanks to Dana Ross for the video and audio. About expressing being one with the Universe, anatomy, how does the light drive home the theme, color theory, and layers of techniques that merge with the theme.
Newberry Art Lecture https://youtu.be/QnfYvyucpwg On October 6th, 2003 The Foundation for the Advancement of Art presented this conference at New York's Pierre Hotel. Stephen Hicks gives the introduction to the conference and to Michael Newberry's talk, Innovation in Art. Part 1 0:09 Stephen Hicks Introduction3:03 Michael Newberry Innovations in Art4:11 Zuburan, Mondrian, John Moore6:05 …
“In the broad valley, far below him, in the first sunlight of early morning, he saw a town. Only it was not a town. Towns did not look like that. He had to suspend the possible for a while longer, to seek no questions or explanations, only to look.” The above was Ayn Rand's description …
On October 6th, 2003, The Foundation for the Advancement of Art presented Innovation, Substance, Vision--The Future of Art at The Pierre Hotel in New York City. With a panel of philosophers, artists, and scientists, the conference addressed the importance and future of art. The international audience included major figures from the worlds of art and …
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Newberry Art Tutorials O'Keeffe, 1923, Grey Line with Black, Blue, and Yellow Representational painting, such as landscapes, people, and furniture, is normally viewed at face value. A flower is just a flower; a chair a chair. But the manner in which an artist uses shapes can convey more than the literal content of the painting. …
A few years ago I read the book What Art Is: The Esthetic Theory of Ayn Rand by Torres and Kamhi. I was disquieted to read their take on Rand's definition of art, specifically about the meaning of metaphysical value-judgements. Perhaps the thing that was the most surprising to me was that their perspective on this issue is so much not the way that I experience art; either as a creator or as in appreciation, or how I understand Rand's meaning. In a sense, their book has been the catalyst for this lecture. I hope to answer them by showing how you can detect metaphysical value-judgments in painting. But, more importantly, I hope to show you how to find and, perhaps, share the artist's incredible passion that lies just beneath the surface of the paint.
A strange thing happened, the group became more confident, enjoyed the process more, and were much more supportive of one another.
... pathetically, only Hope remained inside. In the other version the box held all of humanity's glories. When she opened the box progress, knowledge, and exaltation vanished into oblivion, forever lost to humanity.
